Another Five Questions
Jul. 15th, 2010 07:26 pmThe following provided by
lccorp2. Hurray new friend!
1. What is your Moral Event Horizon for any character, antagonist or protagonist? What pushes a character past redemption in your eyes, denying him, her or it a chance to be painted in a more sympathetic light?
I'm not actually sure, mainly because there is no set "line" in the sand any one character can cross to reach that point. A villain who kills repeated would need a higher bar set than, say, a pious man who has never killed; killing in self defense doesn't count.
Death, or something close to it, though, seems the be the basis of what makes up most of those Horizons. How many or who it is factors in, but most of the time it's the complete lack of disregard given to the victim that makes the monster past the point of repair.
2. Name one generalised setting (urban, ye olde faux-fedualistic Europe, magitek, post-apocalyptic, etc) you like to use, and why. If you have no particular preference, state why.
I have no perference and here's why; that's why!
No, really, one of the reasons I enjoy writing and want to become a writer so much is because I enjoy leaping from genre to genre without feeling the need to say, "I'm a [genre noun] writer." On my plate right now I have the following: epic fantasy, crime noir, crime drama (yes, they're different things), Disneysque fairy tale, children's pirate story, the beginning of a horror, an urban mythology, a spy thriller, a movie script, and a few others. I don't feel the need to stick to just one type of setting, mainly because I get bored with one type quickly. My stories may contain similar themes, and borrowed concepts between them, but no one location is good enough all the time.
3. Which do you think is more important, the end result or the reason why people do things?
I'm gonna go with the reason why. The end result is always in flux, and depending on how or why people do the things they do, what they're aiming for may no longer be attainable. "The road to hell is paved with good intentions". Just because what will happen may be "good" in the end doesn't forgive you of any atrocities commited in the name of that good. Few people think what they're doing is wrong, and though they acknowledge their acts, it's always for the "greater good", regardless of what those acts are. But that doesn't justify them. At the same time not doing something is often the same as actually doing something, if your non-action results in a conclusion that either you could have helped avoid or somehow come out ahead. Not all the time mind you, but if by not acting something horrible was done, are you better than those that commited the act?
4. Name your worst guilty pleasure, and state your rationalisation for indulging in it.
I'm trying to think of what I consider a guilty pleasure for myself, I feel I'm pretty open about the things I like. Hmm...okay, I got two. One is stupid dance pop music. I don't know why, but I enjoy the hell out of the beats and stupid lyrics and, I don't know, they're just fun for some reason. Venga Boys (you know them as the song the old guy dances to in the Six Flag commericals), Baha Men (Who let the dogs out), Effiel 65 (I'm Blue (Da Bu Dee, Da Bu Die), I can't say why but they and a good handful of current pop artists I have in my iPod.
The second is an anime called Strawberry Marshmellow. I...can't explain this one. Most the anime I have, those I've actually bought, are more action or guy-interest types; I have Black Lagoon, Cowboy, Genshiken, Akira, a few others, but also hidden away is the first DVD of this cutesy little slice-of-life about four fifth graders and one older sister in college and what events are considered important in their everyday lives. There is no rationalisation for owning. Or enjoying it. I just do.
5. Name one mordern convenience you think the world should do without, and state why.
The cellphone. As nice as it is to have, and as much good as it can do to have one, it's probably caused a lot of problems. It's affected people's memories, it used to be you had to actually remember someone's phone number instead of just inserting it once into your phone. While that itself isn't much, with as many gadgets and whatnot being inserted into phones nowadays, we're becoming more reliant on what our phones can do instead of what our own brains can. It's also increased the number of rude assholes out there, who text while having a conversation with a real person, texting instead of having a conversation with a real person, talking in public loudly without regard to others, with earphones making it seem like they're either crazy or rude because it's your fault you thought they were actually talking to you, that's a list that just goes on and on.
Do you remember back in the day when there were no cellphones? Depending on your age, no, you don't. Back when the answering machine was the greatest thing for phones ever, because now you knew if you missed a call? Or actually having to plan things and keep to a schedule, because without some kind of communicating device on your hip or in your pocket, you really only had one shot at meeting people somewhere not at your house, because you couldn't call to say you were late for stupid reasons, or you found a cooler place let's go there instead?
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
1. What is your Moral Event Horizon for any character, antagonist or protagonist? What pushes a character past redemption in your eyes, denying him, her or it a chance to be painted in a more sympathetic light?
I'm not actually sure, mainly because there is no set "line" in the sand any one character can cross to reach that point. A villain who kills repeated would need a higher bar set than, say, a pious man who has never killed; killing in self defense doesn't count.
Death, or something close to it, though, seems the be the basis of what makes up most of those Horizons. How many or who it is factors in, but most of the time it's the complete lack of disregard given to the victim that makes the monster past the point of repair.
2. Name one generalised setting (urban, ye olde faux-fedualistic Europe, magitek, post-apocalyptic, etc) you like to use, and why. If you have no particular preference, state why.
I have no perference and here's why; that's why!
No, really, one of the reasons I enjoy writing and want to become a writer so much is because I enjoy leaping from genre to genre without feeling the need to say, "I'm a [genre noun] writer." On my plate right now I have the following: epic fantasy, crime noir, crime drama (yes, they're different things), Disneysque fairy tale, children's pirate story, the beginning of a horror, an urban mythology, a spy thriller, a movie script, and a few others. I don't feel the need to stick to just one type of setting, mainly because I get bored with one type quickly. My stories may contain similar themes, and borrowed concepts between them, but no one location is good enough all the time.
3. Which do you think is more important, the end result or the reason why people do things?
I'm gonna go with the reason why. The end result is always in flux, and depending on how or why people do the things they do, what they're aiming for may no longer be attainable. "The road to hell is paved with good intentions". Just because what will happen may be "good" in the end doesn't forgive you of any atrocities commited in the name of that good. Few people think what they're doing is wrong, and though they acknowledge their acts, it's always for the "greater good", regardless of what those acts are. But that doesn't justify them. At the same time not doing something is often the same as actually doing something, if your non-action results in a conclusion that either you could have helped avoid or somehow come out ahead. Not all the time mind you, but if by not acting something horrible was done, are you better than those that commited the act?
4. Name your worst guilty pleasure, and state your rationalisation for indulging in it.
I'm trying to think of what I consider a guilty pleasure for myself, I feel I'm pretty open about the things I like. Hmm...okay, I got two. One is stupid dance pop music. I don't know why, but I enjoy the hell out of the beats and stupid lyrics and, I don't know, they're just fun for some reason. Venga Boys (you know them as the song the old guy dances to in the Six Flag commericals), Baha Men (Who let the dogs out), Effiel 65 (I'm Blue (Da Bu Dee, Da Bu Die), I can't say why but they and a good handful of current pop artists I have in my iPod.
The second is an anime called Strawberry Marshmellow. I...can't explain this one. Most the anime I have, those I've actually bought, are more action or guy-interest types; I have Black Lagoon, Cowboy, Genshiken, Akira, a few others, but also hidden away is the first DVD of this cutesy little slice-of-life about four fifth graders and one older sister in college and what events are considered important in their everyday lives. There is no rationalisation for owning. Or enjoying it. I just do.
5. Name one mordern convenience you think the world should do without, and state why.
The cellphone. As nice as it is to have, and as much good as it can do to have one, it's probably caused a lot of problems. It's affected people's memories, it used to be you had to actually remember someone's phone number instead of just inserting it once into your phone. While that itself isn't much, with as many gadgets and whatnot being inserted into phones nowadays, we're becoming more reliant on what our phones can do instead of what our own brains can. It's also increased the number of rude assholes out there, who text while having a conversation with a real person, texting instead of having a conversation with a real person, talking in public loudly without regard to others, with earphones making it seem like they're either crazy or rude because it's your fault you thought they were actually talking to you, that's a list that just goes on and on.
Do you remember back in the day when there were no cellphones? Depending on your age, no, you don't. Back when the answering machine was the greatest thing for phones ever, because now you knew if you missed a call? Or actually having to plan things and keep to a schedule, because without some kind of communicating device on your hip or in your pocket, you really only had one shot at meeting people somewhere not at your house, because you couldn't call to say you were late for stupid reasons, or you found a cooler place let's go there instead?